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attributed arms : ウィキペディア英語版
attributed arms


Attributed arms are Western European coats of arms given retrospectively to persons real or fictitious who died before the start of the age of heraldry in the latter half of the 12th century. Arms were assigned to the knights of the Round Table, and then to biblical figures, to Roman and Greek heroes, and to kings and popes who had not historically borne arms (Pastoreau 1997a, 258). Each author could attribute different arms for the same person, but the arms for major figures soon became fixed.
Notable arms attributed to biblical figures include the arms of Jesus based on the instruments of the Passion, and the shield of the Trinity. Medieval literature attributed coats of arms to the Nine Worthies, including Alexander the Great, Julius Caesar, and King Arthur. Arms were given to many kings predating heraldry, including Edward the Confessor and William I of England. These attributed arms were sometimes used in practice as quarterings in the arms of their descendants.
==History==
Attributed or imaginary arms appeared in literature in the middle of the 12th century, particularly in Arthurian legends. During the generation following Chrétien de Troyes, about 40 of Arthur's knights had attributed coats of arms (Pastoreau 1997a, 259). A second stage of development occurred during the 14th and 15th centuries when Arthurian arms expanded to include as many as 200 attributed coats of arms.
During the same centuries, rolls of arms included invented arms for kings of foreign lands (Neubecker, 30). Around 1310, Jacques de Longuyon wrote the ''Voeux de Paon'' ("Vows of the Peacock"), which included a list of nine famous leaders. This list, divided into three groups of three, became known in art and literature as the Nine Worthies (Loomis 1938, 37). Each of the Nine Worthies were given a coat of arms. King David, for instance, was assigned a gold harp as a device (Neubecker, 172).
Once coats of arms were the established fashion of the ruling class, society expected a king to be armigerous (Loomis 1922, 26). In such an era, it was "natural enough to consider that suitable armorial devices and compositions should be assigned to men of mark in earlier ages" (Boutell, 18). Each author could attribute different arms for the same person, although regional styles developed, and the arms for major figures soon became fixed (Turner, 415).
Some attributed arms were incorporated into the quarterings of their descendants' arms. The quarterings for the family of Lloyd of Stockton, for instance, include numerous arms originally attributed to Welsh chieftains from the 9th century or earlier (Neubecker, 94). In a similar vein, arms were attributed to Pope Leo IX based on the later arms of his family's descendants (Turner, 415).
In the 16th and 17th centuries, additional arms were attributed to a large number of saints, kings and popes, especially those from the 11th and 12th centuries. Pope Innocent IV (1243–1254) is the first pope whose personal coat of arms is known with certainty (Pastoreau 1997a, 283–284). By the end of the 17th century, the use of attributed arms became more restrained (Neubecker, 224).
The tinctures and charges attributed to an individual in the past provide insight into the history of symbolism (Pastoreau 1997b, 87).

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